blood, sea

 

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In 1976, the Italian writer Italo Calvino published a famous collection of poetic prose, t zero. The story “Blood, Sea" recounts a sequence of events narrated from the first-person perspective of a blood cell, alternating with a story about human protagonists, told in the conventional perspective of the third person. 

In the story, among a lot of other astonishing relations, Calvino explores the fact that the water of the earth’s oceans shows a mineral composition which strikingly resembles that of our body fluids. The blood plasma is the sea in which life once began. This ocean still fills us, as it fills all other lifeforms. 

Calvino imagined a narrative told by a blood cell, a cell which is suspended in this primordial ocean within our bodies. He told a story from the perspective of life itself, or rather from the perspective of the life-giving ability of the primal fluid and its invitation to make intimate connections. 

He spoke from the standpoint of an outside which is also an inside. Calvino invented “Biopoetics” avant la lettre. He envisioned a first-person account of what is not human through our shared qualities, through our participation in a vast web of transformations. 

For Calvino, the poet, it was only evident that we are able to make statements about this network of changes and exchanges because we are a part of it, and we are concerned by it, as we are by our own fate. 

Poetic creativity is the power to know something through intimate participation. […] Calvino is a poet, and as such he knows about the fact that true novelty in this world, and also true experiences of connection, only arise through the exchange, the breakdown and recreation of what is real.

—Andreas Weber

Biopoetics

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